A Viewfinder Darkly

• Film Or Digital at Photo School;

• How to Take Sharp Photos;

• How to Use Depth of Field for Landscape and Portrait Photography;

• Beat Camera Autofocus Problems;

• Save Digital Photos as RAW or JPEG;

• Camera Flash: When Not To Use It;

• Photograph the Familiar;

Bob Atkins

• Optimum Aperture -- Format size and diffraction;

• Digital Depth of Field;

• Focus and Recompose;

• UV and Warming Filters;

• Lens Testing. A guide to testing camera lenses;

• All about Polarizers -- Linear and Circular;

Bryan Peterson

• Learning to see...;

• Tips on composition;

• Language of Seeing;

• Correct Exposures-VS-Creatively Correct Exposures;

• Every photograph is a 'lie', yet within that 'lie' is a mountain of truth, a truth that is perhaps best defined as "The Sizzle!";

By Thom

• Are You a Collector or a Photographer?;

• What's Your Goal?;

• Getting Better at Photography;

• Blame the Equipment;

• How Long Until You Shoot Like a Pro?;

• Last Camera Syndrome;

• The Top Photography Myths;

• Tip of the Iceberg;

• Magic Camera Settings;

• Things You Should Do But Don't;

• Reducing the Risk of Equipment Loss;

• Magic Moment;

• QAD Shot Discipline;

• QAD Macro;

• QAD Post Processing;

• Shot Discipline 101;

• Tripod 101;

• Filtration 101;

• Sharpening / Sharpening 101 (older?);

• How Many Lenses Do You Need?;

• What is a Wide Angle Lens?;

• Convenience Zooms;

• Tracking Down Autofocus Issues (Part 1);

• Tracking Down Autofocus Issues (Part 2);

• Hype About Hyperfocal Focus;

• Meters Don't See 18% Gray;

• What Matters Most? / What Matters Most? (older?);

• All About Nikon VR / All About VR (older?);

• Workflow 101 / Workflow Week (older);

• How Do You Keep Up?;

• Dealing With Lots of Digital Images;

• Reducing the Risk of Image Loss;

• Getting DNGed / Getting DNGed (older);

• Looking Forward;

• Good Design, Good Images;

• State of Camera Design, 2010;

• Why Not Think of Capture as "the Negative"?;

• Big Trip Planning 101;

• Carrying 101;

• Weighty Advice;

• Feline Flip-Flop;

• Optimal Data -- Avoiding Entropy;

• The Buy and Return Problem;

• Will the Pixel Madness Ever End?;

• The Question of Balance;

• About Lens Reviews;

• Composing with Reflections;

• Sunrise / Sunset Exposures;

• Moving the Focus Point;

• Learning from Failure;

• Impact versus Technique;

• What are you Saying?;

• Take the Shot;

• Plan your Shooting;

• Immediacy;

• Exaggeration of Human Form;

• Go Back, Then Repeat;

• Stitching Tip;

• Landscape Two-fer;

• Can You Trust the Camera Makers?;

• Outrunning Those Just Behind You;

• Photography: Craft or Art?;

• What’s Your Biggest Problem?;

• Viewfinder Hours;

• Back to Basics;

• Basic Camera Would Sell Big;

• The Photos Are Dead Myth;

• Why Sunny 16 is Still Important;

• How Many Megapixels?;

• The Corollary Position on More Pixels;

• Sensors Are a Moving Target;

• Did We Hit the Bar?;

• We’re Going Backwards;

• Do You Believe in DxOMark?;

• Ultimately, Only You Are the Judge;

• What is UniWB?;

• Engineer/Management Interviews Tell me Nothing;

• What Would I Design?;

• Optimal Data -- Crud;

• Going Long with Telephoto Lenses;

• The Full Frame Debate;

• Is Pursuit of High ISO a Fool’s Errand?;

• A Simple Software Proposal;

• Answering the Trolls;

• Shooting With Just a D7200;

• Let’s Ban Smartphones;

• How Much Photography Can We Ban?;

• Empathy for Canon Users;

• Thom’s Recommended Lenses for DX Users;

• Why Do People Really Buy Mirrorless Cameras?;

• Optimal Data -- Understanding Exposure and Noise;

• Cleaning Your Sensor;

• Pick a Size;

• Replacement Camera Syndrome;

• Pursuit of the Latest Gear;

• Shall We Play a Game?;

• Which Mirrorless System?;

• How To Decide Between Systems;

• Nikon Managers Discuss Nikkors;

• Let’s All Climb to the Top;

• What a Difference a Decade Makes;

Cambridge in Colour

• Introduction to Macro Photography;

• Macro Camera Lenses;

• Understanding Camera Lenses;

• Reducing Camera Sharke with Hand-Held Photos;

• Camera Histograms: Tones & Contrast;

• Camera Histograms: Luminosity & Color;

• Tutorials: White Balance;

• Image Resizing for the Web & Email;

• Digital Image Interpolation;

• Sharpening: Unsharp Mask;

• Guide to Image Sharpening;

• Local Contrast Enhancement;

• Lens Diffraction & Photography;

• Digital Camera Diffraction -- Part 2;

• Lens Quality: MTF, Resolution & Contrast;

• Camera Flash: Appearance;

• Camera Flash: Exposure;

Damien Symonds

• Best practice for web photos;

• Choosing the right colour space for your workflow;

• Don't double your editing!;

• To DNG, or not to DNG;

• What is XMP data all about?;

• What makes a great black-and-white photo?;

• An observation about outdoor white balance, and skintones;

• Best practice for web photos;

• How I've been sharpening for web lately;

• The Wide Gamut Myth;

Dante Stella

• The Devil is in the dynamic range;

• Curing the autofocus blues;

Daystar Visions

• Digital Photography 001: Under the hood of a digital camera;

• Camera (very) Fundamentals;

• Camera Lenses: a Crash Course;

• Existing Light Exposure Metering;

• Quick, Accurate High Contrast Exposures for Digital Cameras;

• The Case of the Mistaken Multi-Meter;

• DOF Fundamentals;

• Colour 101;

• Colour 102: Coping with colour casts;

• Lessons in Composition for the Art Photographer;

• Composition in the Field For the Art Photographer;

• Centre of Interest;

• Pentax K20D tips & tricks for RAW shooters;

• How Many Pixels Do I Need? or How Large Can I Print?;

• ETTR Is Critical For High ISO Photography;

• Practical Aesthetics for the Art Photographer: Spirit of Place;

• Practical Aesthetics for the Art Photographer: Controlling Emotional Tone;

• Practical Aesthetics for the Art Photographer: Meta-Texture;

• Is Photography Art?;

• Aesthetic Relativism, a Parabolic Manifesto;

• The Art of Seeing Art;

• Behind the scenes with some recent pictures;

• Too Many Pixels?;

• Standardizing the digital camera interface;

• The OM-D and the concept of retro digital;

• A Simple Guide to the DxOMark Numbers;

DxO Mark

• Can RAW images be already somewhat cooked?;

• Essential characteristics of noise;

• F-stop blues;

• Pushed ISO: Let's make it clear;

• Contrary to conventional wisdom, higher resolution actually compensates for noise;

• The paradoxical evolution of sensor SNR over time;

• Detailed computation of DxOMark Sensor normalization;

• Looking for new photo gear? DxOMark's Perceptual Megapixel can help you!;

• DxOMark measurements for lenses and camera sensors;

Eric Kim

• 10 Reasons Why You Should Never Chimp While Shooting Street Photography;

• 10 Tips on How to Cure Yourself of GAS (Gear Acquisition Syndrome);

• Why Digital Is Dead For Me In Street Photography;

• The Point Isn’t to be a Good Photographer, But to Enjoy Life;

• More Megapixels, More Problems;

• The Street Project by Steve Simon;

• 10 Practical Tips to Fight G.A.S. (Gear Acquisition Syndrome);

• 10 Tips on How to Cure Yourself of GAS (Gear Acquisition Syndrome);

Ken Rockwell

• How to Create a Masterpiece;

• The Secret: What Makes a Great Photo;

• FART for Fantastic Photos;

• Composition: Simplicity, SEX and Balance;

• Lighting;

• How to Get Great Colors;

• The Importance of Timing;

• Simplicity;

• Modern Exposure;

• How to Carry Less;

• Digital Rot;

• Cartier-Bresson and the LEICA;

• Crop Factor;

• Lens Sharpness;

• Bayer Interpolation;

• Diffraction;

• Fixing Unsharp Images;

• How to Use Ultra-Wide Lenses;

• How to Use Histograms;

• How to Use Color Histograms;

• Adding Dynamic Range to Any Digital Camera;

• How to Set White Balance;

• Camera Adjustments: from Blah to Aha!;

• What are LV and EV;

• JPG vs Raw: Get it Right the First Time;

• The Two Kinds of Photographers;

• The Seven Levels of Photographers;

• Is It Worth It?;

• Recommended Cameras;

• The Megapixel Myth;

• Your Camera Doesn't Matter;

• Digital Obsolescence: FutureTrash;

• sRGB vs. Adobe RGB;

• Color Management is for Wimps;

• Rangefinders vs. SLRs;

• The Two-Pocket Shuffle;

• Digital Killed My Tripod;

• Why IS and VR Matter;

• The Zone System;

• How to Use the Nikon Spot Meter;

• Nikon Speedlight Flash Guide;

• Fill Flash;

• The Importance of Flash Sync Speed;

• Why Mass Media Stinks;

• Bokeh;

• Nikon Lens Bokeh Comparison;

• How To Shoot Macro;

• Best Shutter Speeds for Moving Water;

• Mirrorless versus DSLR --- Which camera is best?;

• Say Something --- The Secret Behind Great Art;

• Artist or Technician? --- Are you creating art, or just buying more toys?;

• Static Versus Dynamic Image Quality;

• Fallacies of Noise Measurements;

• How to Clean Lenses, Monitors, Filters and CCDs;

• Hot Pixels;

Lens Rentals

• How to Test a Lens;

• "This Lens Is Soft" and Other Facts;

• "This lens is soft" and other myths;

libRaw

• White Balance in Digital Cameras: Problems;

• Using Magenta Filter for Shooting With a dSLR Camera Under the Daylight;

• Channel Noise and Raw Converters;

• Chasing a Gray Cat In a Gray Room: the level of middle gray and the headroom in the highlights for Canon 5D Mark II;

• How to stretch 2.5 eV to 5; and what would be the price;

• Zones and Digital: Two Methods of Exposing;

• Spot-Metering: Reading Adams in Reverse Direction;

• Headroom in Highlights : Where is Zone V in The Digital World?;

• Peace in Lights;

• Two Paths Leading Nowhere;

Luminous Landscape

• A Parable;

• What Slide Film Taught Me;

• The Second Story -- A Note on Photographic Composition;

• A Matter of Interpretation -- What Story Do You Want to Tell?;

• Photographing Fall Colour -- When Less is More;

• Telling The Story;

• Negative Space;

• Understanding Aspect Ratios and The Art of Cropping -- A Bandage for Poor Composition, or a Creative Tool?;

• Understanding the DSLR Magnification Factor;

• Understanding Depth Of Field;

• Optimizing Exposure -- Why Do Camera Makers Give Us 19th Century Exposures With Our 21st Century Cameras?;

• Expose (to the) Right -- Maximizing S/N Ratio in Digital Photography;

• A Possible Problem with Expose to the Right! -- Settings for an Accurate Histogram;

• Understanding SLR Viewfinders -- Finding the View;

• Lens Sharpness -- The Never-Ending Quest;

• Understanding Lens Contrast -- And the Basics of MTF;

• Understanding Resolution;

• Understanding Sharpness;

• Understanding the Digital Unsharp Mask;

• Understanding Local Contrast Enhancement -- A Photoshop Technique;

• Understanding Polarizers;

• Understanding Mirror Lock-Up -- Techniques for Reducing Vibration;

• Understanding MTF -- The Modulation Transfer Function Explained;

• Light -- Color & Human Vision;

• Colour Theory as Applied to Landscape Photography;

• Understanding Histograms;

• Understanding Exposure -- A Complex Subject Made Simple for Beginners;

• Understanding Raw Files;

• Understanding ProPhoto RGB -- A Preferred Working Space for Digital Photographers;

• A Simplified Zone System;

• An Appeal for Divergence and Simplicity;

• Why Is My 50mm Lens Equivalent to 80mm on a 35mm Camera and Why Is There More Depth-of-Field?;

• Better Photographic Composition, or The Best Camera Won't Make you a Better Photographer;

• Vision -- Part 1 -- From Passion to Vision;

• Vision -- Part 2 -- Everything you always wanted to know about Fine Art Photography but were too afraid to ask;

• Vision -- Part 3 -- Vision and Artist Statement;

• Vision -- Part 4 -- Why Do We Photograph?;

• Vision -- Part 5 -- Vision and Creativity;

• Vision -- Part 6 -- Creativity Remembered;

• Vision -- Part 7 -- In Praise of Amateurs;

• Vision -- Part 8 -- Hard Skills and Soft Skills;

• Aesthetics and Photography -- Part 1 -- How to See Photographically;

• Aesthetics and Photography -- Part 2 -- How to Compose a Photograph;

• Aesthetics and Photography -- Part 3 -- How to Choose the Best Lens For a Specific Composition;

• Aesthetics and Photography -- Part 6 -- How to determine the best exposure for a specific photograph with film and digital capture;

• Aesthetics and Photography -- Part 7 -- How to Decide Which Photographs Are Keepers and Which Ones Are Not;

• Aesthetics and Photography -- Part 8 -- How to Create a Portfolio of your Work;

• Changing Perspective;

• Photographing From The Heart;

• The Art of Fooling Around;

• The Filter Flare Factor;

• Flare;

• The Full Frame Myth;

• A Redux Critique Of Contemporary Camera Design;

• A Critique of Contemporary Camera Design --- A Synthesis of History, Technology, and Art;

• On Street Photography;

• Fuji X-T1 Further Thoughts;

• Obsolescence Be Damned!;

• Polarizers;

• Loving Long Exposure;

• The Optimum Digital Exposure;

• They Just Don’t Get It;

• Just Say Yes;

• Digital Zone System;

• Why Photoshop is not Ruining Landscape Photography;

LumoLabs

• Camera Equivalence;

• The true reasons for a full frame camera;

• Understanding Image Sharpness;

• Low light focus accuracy with the Pentax K-5 camera;

Miscellaneous

• Humanity takes millions of photos every day. Why are most so forgettable?;

• Photography and Interestingness;

• Photography and Interestingness Part 2;

• Photography and Interestingness Part 3;

• Print That Photograph;

• The Future of Digital - Full Frame or APS-C?;

• Front or Back Focusing Problems? Free test (Lens Alignment) charts for Pentax, Nikon, Canon, Sony, Olympus;

• The ETTR Myth;

• ETTR -- Expose to the Right;

• Digital Tones and Exposure Zones;

• Gamma Demystified;

• Rawtherapee -- Lightroom For Linux;

• The importance of watching your exposure;

• Using automatic exposure locking;

• My current photo processing workflow (as of June 2010);

• UniWB -- Make camera display reliable;

• Introduction to UniWB;

• The Grumpy Editor's guide to HDR with Linux;

• Nice Capture?;

• Seán Duggan: Image Interpretation -- Into Darkness;

• David Cardinal: Taming Color in Wildlife Photography;

• David Cardinal: A Photographers’ Survival Guide to Color Spaces;

• Un-debunking ETTR;

• Sermon From A Raw Convert;

• White Balance -- Are you RGB Savvy?;

• What's a Gray Card and Why You Should Own One;

• Why the 18% Gray Card is a problem;

• Digital SLR Lens Properties and Terminology;

• Why "Expose to the Right" is just plain wrong;

• ETTR for the fourth time........;

• Debunking ETTR;

• ETTR: ISO vs shutter speed;

• Using in-camera histograms for ETTR;

• The Zone System -- A Basic Explanation;

• Flash 101 (Fill Flash In Use);

• Bit Depth and Dynamic Range;

• Democracy Has Bad Taste;

• Beating the Bounds;

• An Analysis of Lightroom JPEG Export Quality Settings;

• Digital-Image Color Spaces, Page 1: Introduction;

• The Future of Camera Reviews?;

• The death of photography: are camera phones destroying an artform?;

• How to Reduce Camera Shake -- 6 Techniques;

• What is dcraw;

• Goodbye, Cameras;

• Italy, Street-Photography and the Law;

• Effect of Focal Length on Macro Perspective;

• Effect of Focal Length on Macro Perspective --- Uniform Magnification Results;

• Effect of Focal Length on Macro Perspective --- Viewing Distance Adjusted for Focal Length;

• What to Look For in a Lens;

• Choosing a Prime Lens;

• The Value of Lens Hoods;

• Hand-held Shooting with Longer Lenses;

• Exposure for RAW vs. Exposure for JPEG;

• The riddle of the intermediate ISO setting;

• Establishing the in-camera exposure meter calibration point is the way to extract more dynamic range from your camera;

• Beware the Histogram;

• Digital camera light meter calibration;

• Determining pixel charge capacity and amplification gains for a digital camera;

• What Happened to Photography?;

• Tools of the Trade: How to Get the Perfect Shot;

• Ye Olde RAW vs. JPEG Debate;

• Slow Growth Photography;

• Photographing The Sunrise;

• Working with Shallow Depth of Field;

• Negativity;

• How To Be A Beginner;

• Horizontal or Vertical Format?;

• Becoming A Great Photographer;

• Learning Light;

• Point of Focus and Depth of Field;

• So You Want to Take Portraits?;

• "Photography is easy." Really?;

• The Photographer's Camera;

• Photo Hoarding And How To Avoid It;

• JPEG?! Are you kidding me! Maybe. Definitely yes.;

• Get wide right! (shooting with the Fujinon XF 14mm F2.8)

• While writing with light you sometimes need the right 'pigment';

• Search for the unknown!;

• To colour or not to colour?;

• No Colour Necessary;

• The Secret of Too;

• Photography Ideas -- Part 1;

• Photography Ideas -- Part 2;

• Out of Gamut: Why Do High-Bit Editing?;

• Out of Gamut: The High-Bit Advantage;

• Culling Down All Those Images to a Portfolio;

• Climates, Countries and Customs of a Fair-Weather Photographer;

• Focal Length is not just a Zoom Change!;

• Shooting with anamorphic lens dslr camera tutorial;

• Wireless P-TTL Flash with the Pentax AF360FGZ and AF540FGZ;

• Peter Lik’s Recipe for Success: Sell Prints. Print Money.;

• Can the Zone System Go Digital?;

• Hyped On Depth: Understanding What’s in Focus and Why by Investigating Hyperfocal Distances;

• My Open Source Photography Workflow;

• The Thing About Rainbows;

• Refrain from Sharing?!;

• Polarizer;

• Circular Polarizer Filter Review;

• How To: Using a Circular Polarizer;

• Camera Polarizing Filters;

• What is Pixel Mapping?;

• When the Camera Does Matter; specialized bodies and lenses and why you need them by Ben Evans;

• Two Important Custom Functions for Proper Metering;

• “We Are All the Same”: A Conversation with Josef Koudelka;

• Photographic Cliches;

• Too Much Photography;

• How to Shoot Simple Corporate Portraits -- Lighting Article;

• Lenswork;

• In Praise of Older Cameras;

• Being creative;

• Due process;

Backcountry Gallery

• The Best Time;

• Do You Like Nature, Really?;

• Fall Photo Basics;

Earth Bound Light

• Are 14-bit Raw Images Really Any Better Than 12-bit Raw?;

• Are Raw Image File Formats Archival?;

• Just How Big is a Pixel?;

• Size Does Matter;

• I Shutter to Think...;

• Further Thoughts Beyond the Blue Horizon;

• Beyond the Blue Horizon;

• Things You Can Find Down on the Ground;

• Auto ISO: Friend or Foe;

• Neutral Density Headaches;

Digital Photography School

• 5 Advanced Tips for Light Trail Photography;

• How to Hold a Camera;

• Shutter Release Technique;

• How to Shoot Light Trails;

• 9 Tips for Capturing the City in Motion;

• Do you pack up and leave after sunset and miss the fun of night photography?;

• Why You MUST Have a Polarizer;

• The Ultimate Guide to Buying a Tripod;

• Beginner’s Guide to Tripods;

• How to Shoot in Low Light -- 9 Commonly Asked Questions;

• 8 Common Landscape Photography Mistakes;

• 8 Tips for Fall Landscape Photography;

• Add Contrast to Your Images by Using Complementary Colors;

• 4 Ways the Time of Day Affects Your Photographs;

• Benefit From How You See The World;

• OPINION: Why Photoshop is Ruining Landscape Photography;

Picture Correct

• Photographing Traffic at Night in the City;

• 4 Key Ways to Take Better Photographs;

Photoephemeris

• Using TPE Desktop Web App, Part 1: Basics;

• Using TPE Desktop Web App, Part 2: Beyond the Basics;

• Using TPE Desktop Web App, Part 3: Geodetics;

• Using TPE Desktop Web App, Part 4: the Horizon;

Moose Peterson

• The Psychology of Color;

• Where Can You Find the Perfect Exposure?;

• Exposure;

• Calibration = Consistency;

Pentax Forums

• Stops, Shutter Speed, Aperture, ISO Sensitivity;

Pentax User

• Metering Modes Explained;

• Using your Pentax camera's built in flash for fill flash;

• Accurate metering tip;

• How To Use Your Camera's Bulb Mode;

• Exposure Bracketing With Your Pentax SLR;

• Between the lights;

Photography Life

• Understanding Digital Camera Modes;

• Understanding Shutter Speed -- A Beginner’s Guide;

• Understanding Aperture -- A Beginner’s Guide;

• Understanding ISO -- A Beginner’s Guide;

• Understanding Histograms in Photography;

• Understanding ISO, Shutter Speed and Aperture -- A Beginner’s Guide;

• Understanding Metering and Metering Modes;

• DSLR Autofocus Modes Explained;

• Dead vs Stuck vs Hot Pixels;

• Must-Have DSLR Accessories;

• Things to Do After Buying a New Lens;

• How Focal Length Affects What (and How) You See;

• How to use a Polarizing Filter;

• Stick Around After Sunset!;

• How to Photograph Corporate Portraits;

Red Skies at Night

• A Linux-based Photography Workflow (part 1);

• A Linux-Based Photography Workflow (Part 2: Image Ingest and Organization);

• A Linux-Based Photography Workflow (Part 3: Image Editing and Conversion);

• On image database keys;

Roger and Frances

• welcome;

• bracketing;

• subject brightness range;

• the 18 per cent grey card;

• the zone system;

• Zone Focusing and Pre-Focusing;

• how do I choose a tripod?;

• four views of a statue;

• saving money;

• how many cameras do you need?;

• using old lenses;

• irreproducible results;

• ISO film speeds;

• art and photography;

• The dangers of gurus;

• picture critiques;

Simply Imaging

• No Time? No Worries!;

• Starting Out 1: What Do You Like?;

• Starting Out 2: Landscape Photography;

• Starting Out 3: People Photography;

• Starting Out 4: Macro Photography;

• Starting Out 5: Action Photography;

• Emotion: To Capture, or to Create?;

• Buying Equipment: Lenses;

• Buying Equipment: Lenses, Part 2;

• Buying Equipment: Cameras;

• Buying Equipment: Pentax;

The Online Photographer

• Dynamic Range Is Not Exposure Range! Part I;

• Dynamic Range Is Not Exposure Range! Part II;

• Fitting a Pint in a 12-Ounce Can;

• Why ISO Isn't ISO;

• RAW is not Raw;

• Depth-of-Field Hell;

• Depth of Field Hell -- The Sequel;

• The Practical Side of Depth of Field;

• 'Expose to the Right' is a Bunch of Bull;

• Noise Is Your Friend;

• Do You Really Need FF?;

• Open Mike: Simple Cameras;

• In Search of a Vocabulary for Image Quality;

• It's a Vision Thing;

• We Need Our Audiences;

• Presentation, Presentation, Presentation;

• Baby, It's Cold Outside;

• The Photo-Fetishist League;

• Photographing from Commercial Airplanes;

• Black-and-White Aerial Photography;

• The Importance (or Not) of the Print(ing);

• Memory Card Hygiene;

• Ken Tanaka: Shooting JPEG Instead of Raw;

• JPEGophobia;

• It's Raw All the Way For Me, Baby, and I Don't Mean Sushi;

• Why a 28?;

• Open Mike: The Print Under the Whatever-It's-Called;

• Letter to George;

• Vintage Mike: On the Sharpness of Lenses;

• Vintage Mike: The Grays Camera;

• 'Give That Cat the Boot': Editing 101 (Classic Mike);

• Small Format Professionalism;

• Open Mike: Truisms Can Be Untrue;

• The Danger of Revisiting Your Work;

• Why Would a Digital Camera Have a B&W-Only Sensor?;

• Is This 'A Great Time for Photography'?;

• The Culture of Photography;

• The Lost Portfolio of Christopher Bailey;

• A Little Lens Tale;

• How to Color-Correct a Picture File;

• How To Get the Best Performance from Your Camera Lens, Parts I and II (TOP Classic);

• Open Mike: The Zen of Shooting;

• Weekend Exercise: The Power of Two;

• The Digital Variant: One Camera, One Lens, One Year;

• Open Mike: Devil's Advocate;

• Color Pictures vs. Pictures in Color vs. Pictures of Colors;

• Separate But...What?!? (More on Color);

• Open Mike: The #1 Way to Improve Your Photography;

• Moose Colorizes Liszt;

• The Point of Sufficiency;

• Ranchos de Taos;

• More Barn (More on Scenic Photography);

• Macro Lenses (Lens Dilemma);

• Scenic Photography;

• Snapping Their Surroundings;

• Dare I Ask?;

• The Digital Transition, 1994-2011;

• B&W Conversion Tips;

• In Praise of Low Contrast;

• Three Degrees of Darkness;

• The Unwanted Portrait;

• In Defense of Depth;

• Doing What You're There For;

• Reality and Then Some;

• The Liberated Camera: Part I;

• The Liberated Camera: Part II;

• The Problem with Perfection;

• Are You Real?;

• Snow;

• The Basic Teaching Method of Photo Art Schools;

• Take Time;

• A Processing Strategy;

• Depth of Field Hell -- The Sequel;

• Depth-of-Field Hell;

• The Practical Side of Depth of Field;

• Mastering Photographic Technique;

• Special for You: Custom Modes;

• Recent New Lenses: Canon 35mms;

• The Most Recommendable Camera;

• The Worst Clichés;

• The Cliché Exercise;

• Three Good Ways to Avoid Cliché;

• Has Everything Already Been Photographed?;

• Singing vs. Chatting;

• The Psychology of Camera Anxiety, Part I;

• The Psychology of Camera Anxiety, Part II;

• Do You Trust Your Camera?;

Mike Johnston

• Why 40mm?;

• The K-1000 of Digital SLRs;

• Mo' Betta;

• Thoughts About "Full Frame";

• Uses and Applications of 35mm Lenses;

• Bokeh in Pictures;

• Set Yourself Free!;

• Evidence, not Proof;

• Parameters of Lens Specification and the Properties of Lenses;

• The Case Against Zooms;

• Can't See The Pictures for the Pixels;

• The Gestalt of 35mm Tri-X vs. Digital;

• Taste, Part I: Schubert and Schoenberg;

• SLRs Part Two: Finding the View;

• The Public and Me: What's an SLR Supposed to Be?;

• Lashed to the Mast: The Digital Odyssey;

• Fourteen Tips for Photographing in Public;

• Cooking Vegetables;

• Viewing Distance: The Overlooked Aspect of Print Size;

• The Digital Camera Clock;

Wikipedia

• Zone System;

• Image noise;

• Shot noise;